![]() ![]() We'll continue to add the details within the scene, including the rock formation and small tree behind it. A dark yellow-green is used for the bits of grass and highlighted with a light yellow-green. For the subtle red-purples, red is layered over purple applications, before darkening with Burnt Umber. Patches of observed color are next layered in the foreground. A few streaks of Burnt Sienna are added as well. Instead, the colors and values and the shapes that they create are the focus.Ī good amount of the light cream color is brought down into the foreground, leaving bits of the orange paper to show through. A light cream, various yellow-greens, Yellow-Ochre, and a few streaks of Burnt Sienna are all used to create horizontally-aligned shapes.Ī few distant trees are added and details are omitted. Shapes of color are added in the distant middle ground. These colors are lightly blended with a finger, leaving a harder edge at the top. A dark yellow-green is applied initially, followed by Burnt Umber and a light application of black. A finger is used to lightly blend the colors applied for the clouds.Ī distant tree line is created, overlapping the background. A very light blue is used to create the shapes for the clouds and to develop the transition of value from light to dark. We'll develop the background first, working a darker blue over an application of lighter blue. Photo Reference (Photo by Anna Roberston) The heavy texture allows for multiple applications of color without disturbing the tooth, which is important for consistent acceptance of the material. For paintings that require heavy layering, it is suggested to work on the side of the paper that has the heavier tooth (texture). This paper features a heavily textured side and a smoother side. Essentially, this means that we'll start at the top of the picture plane and work our way down.įor this demonstration, we'll work on toned pastel paper ( Canson Mi-Teintes). The middle ground is developed next and then finally, the foreground. We'll start with the background, developing it completely before moving on the middle ground. We'll take a patient approach to layering colors to develop the painting. Landscape Painting with Pastels - Step by Step
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